Thursday, August 12, 2021

My Journey to Normal Weight

Thu 2021.0812

I'd like to tell you a story of my thirteen months long journey of weight reduction, from July 2020 to August 2021.

Once upon a time . . .

30Jul2020 : 87.7 kg
At the end of July last year, I was weighing in at almost 88 kg. With my height at 1.69 m, this worked out to a BMI of 30.8 which made me borderline obese.

Around that time, I suffered from a bout of gastro easophageal reflux disorder (GERD), along with shortness of breath and heart palpitation. The internal medicine specialist whom i consulted referred me to a cardiologist who carried out some scans and tests and diagnosed mild coronary artery disease. In subsequent follow ups the specialist remarked that my weight was still very high.

I was already taking regular 5 km morning walks then, but my weight wasn't going down fast enough.

17Sep2020 : 85.5 kg <--- 20 km daily cycling
By mid September, after losing about 2 kg, I resumed my old hobby of long distance cycling, a hobby that I had neglected for more than a year.

However, I did not pay much attention to my food intake and I continued to overeat all the time.

01May2021 : 83.3 kg
Another eight months passed, with regular 5 km morning walks and frequent 10 - 20 km cycling, but my weight dropped by only about 2 kg and I was still badly overweight at 83 kg.

19May2021 <---- 8 km/day walks begin
Sometime later that month, I decided to increase my morning walks to 8 km a day. That seemed to help because I managed to bring my weight down by almost 2 kg in two weeks.

The month of May was the turning point in my battle against obesity.

04Jun2021 : 81.5 kg <--- Light meals begin
By early june, my weight had gone down to 81.5 kg. I had lost a total of 6.2 kg in the eleven months from end July 2020 to early June 2021.

However I was still overweight by about ten kg and it was time I paid some attention to my food intake. So starting that day, I decided to have only three light meals a day: breakfast at 6 am, lunch at 12 noon, and dinner at 6 pm, taking less than half of my usual servings.

No tea, no snacks, no supper: I had to slowly get used to feeling hungry all day long.

Initially it was difficult. Time passed slowly. I had to sleep it off by taking long afternoon naps. After a week or two, I got used to the hunger pangs and it didn't bother me much anymore.

10Jun2021 : 78.8 kg <--- crossed 80 kg
It took only about a week of light meals coupled with daily 8 km walks for my weight to reduce by another 2.7 kg.

For the first time in many months, my weight had crossed the 80 kg mark, going down to 79 kg.

17Jun2021 <---- 10 km/day begins
The following week, I decided to increase my daily walking distance by another 2 km to 10 km a day (about two hours walk at 5 km/h).

18Jul2021 : 73.6 kg <--- crossed 75 kg
After about a month of longer distance walks, my weight was down to 73.6 kg, crossing below the 75 kg mark.

24Jul2021 : 72.6 kg <-- crossed 73 kg
The extended 10 km morning walk (sometimes combined with a 1 km jog) helped me lose another kg in the following week.

In the ensuing couple of weeks, however, my weight loss slowed down a little.

There were times I'd lose half a kg over a few days only to gain it all back again in one day. Most of the time such setbacks occurred because I ate more than I should. Food intake seemed to have a stronger effect on body weight than exercise.

Nevertheless, I pressed on towards the finishing line. It didn't take long for me to reach my target BMI < 25.0.

12Aug2021 : 70.65 kg <--- crossed 71 kg
Yay! After many months of being overweight, at last today 12Aug21, I have returned to normal weight at 70.65 kg, with a BMI = 24.7.

I have completed my journey. I have reached the finishing line.

Summary of total distance walked:

  • May2021 : 226.0 km
  • Jun2021 : 268.1 km
  • Jul2021 : 294.9 km
  • Aug2021 (01 - 12Aug): 112.5 km

I have walked more than 900 km in the three and a half months from early May to mid August 2021.

From 87.7 kg on 30Jul2020 last year, my weight decreased to 81.5 kg on 04Jun2021, and finally to 70.65 kg today 12Aug2021. All in all, I have lost about 17 kg in thirteen months.

The road ahead:

After today, I will settle down to a "new normal" of moderately light breakfast 6 a.m., lunch 12 noon, dinner 6 p.m., with some light tea / fruits but no supper. It is imperative for me to maintain my weight within the 70 kg to 71 kg band.

For the near future, I will pay attention to the following self-defined alert levels for my body weight:

  • 70+ kg Normal weight
  • 71.0 kg High Alert
  • 71+ kg Critical

It is also necessary for me to add some strength training and muscle building exercises to my daily routine. I have just recently embarked on the following exercises in addition to my daily 10 km walk and jog:

Indoor training, especially when it's raining, 3 sets of the following routine:

  • 8 push ups
  • 12 sit ups
  • 10 - 15 squats
  • 30 reps biceps 2 kg lift each hand
  • 10 reps triceps 2 kg lift each hand

Tuesday, July 6, 2021

The Endless Game

Yesterday we all were free to wander
Went downtown, had joyrides in our cars
Suddenly, came movement control orders
They made our spirits drop like falling stars

And the people, they're all locked down
While the daily numbers aren't coming down
We're captive in this lockdown all the time

We can't go out, we can only look,
As numbers stay the same
And go round and round and round
. . . in this endless game

(Sung to the tune of The Circle Game by Joni Mitchell)

By Harold Huang
Tue 2021.07.06, 21:21 hrs GMT+8

#poetry #poetrybyharold #KerajaanGagal

Sunday, June 27, 2021

A disappointing smile

A song about the pretentious smiles of lying politicians who announce endless extensions of lockdowns:

Smile, a disappointing smile
Your smile can bring bad news to me
Don't let my TV find you on,
'Cause that would bring a tear to me

This land has lost its glory
We need a brand new story
Now my love,
Right now
Just as in other times,
Your smile can't show me how, my love

Talk in ever twisting words
And complicate them all for me
And I don't need such words in life
Don't ever try to call to me

We know that you don't even mean
A single word you say

It's only words, and lying words you have
Please take them all away . . .

(Sung to the tune of "Words", Bee Gees)

By Harold Huang
Sun 2021.06.27 21:41 hrs GMT+8

#poetry #poetrybyharold #KerajaanGagal

Tuesday, June 15, 2021

Amok : a message from the Author

Writing Amok: On Leaving Malaysia to Find It Again

You write what you read. And I grew up reading English books by Enid Blyton, CS Lewis, and JRR Tolkien. Then I found David Eddings, David Gemmell, and Raymond E. Feist. After that came Robin Hobb, and most recently, Brandon Sanderson. (This is obscuring a lot of other writers that I read and love, but hey I’m trying to make a point, I think.)

When you look at the history of traditionally-published English SFF (science fiction and fantasy), it’s predominantly white, and very, very Eurocentric—in fact, one of most popular settings is medieval England/Europe. They centre around knights and swords defending good, white kingdoms against the exotic oriental or barbaric, dark-skinned other. So when I started writing, that’s what bled through, at least, in those that I specifically crafted a setting for. Many times, I just never really described what they looked like or where they were, using the kind of ambiguous names and descriptions that can be found in metropolitan, urban-ish centres worldwide.

In my original envisioning of the Terang Sultanate, Maha followed stereotypical Eurocentric medieval fantasy settings and conventions, Impian had Southeast Asian influences, and Suci represented their confluence. But the more I worked on Amok, the more I found myself moving away from that, creating instead a united Terang—with all three city-states of Maha, Suci, and Impian based on the Malaccan sultanate. And then I took a step away from portraying the enemy kingdom of Bayangan as the quasi-White-other, giving Terang and Bayangan similar cultural roots.

One reason was to simply reflect the politics of the original story—Samson and Delilah took place in an era of war between Israel and the Philistines, where the enmity between them was, at face value, due to differences of beliefs and religious practices. Having both Terang and Bayangan come from the same roots focused the conflict on the faith aspects of the novel instead of issues of race and ethnicity.

Another was the conversations that I was listening to in the wider SFF Anglosphere—as well as the YA spheres—while I was doing my MA in Creative Writing in London. People were hungry for diversity. They wanted other cultures—their cultures—reflected in their SFF novels. They were tired of the “pale, male, and stale”. And so was I.

But one other driving factor was the fact that living away from home, where I was normal, was making me question my identity. Weird isn’t it, how leaving your roots sometimes drives you back to it? In London, especially on campus, I found the need to clarify—both to the British and to the Chinese—that no, I’m not actually Chinese (though technically I am, ethnically), I’m Malaysian. It felt like an important distinction. It came with explanations, sometimes almost a form of apology. No, I don’t speak Mandarin—I failed a whole year of classes and never went back again. Uh, actually, English is my first language because that’s what I grew up speaking at home. I do/eat this thing and I always thought it’s Chinese but you mean it’s not? Welp, I guess it’s Malaysian.

When one speaks of “own voices”, it’s usually a very simple “minority ethnicity/identity” in white-majority country. As a Chinese diaspora in a non-White culture (writing in English), this presented a dichotomy of being. I had the choice to centre the narrative around either my Chinese or Malaysian heritage—which of these would fit as my “own voice”? Which one really reflects me? My ethnic background or my nationality? At the point of writing Amok, my identification was, and still continues to be, very much more of “Malaysian” over that of “Chinese”. When living in London, I didn’t magically become a Chinese diaspora in the UK. I was very much a Malaysian diaspora in the UK. And that was the sticking point in choosing this specific Southeast Asian culture (quasi-Malaccan sultanate) and language (Malay) as the base for my worldbuilding. The word amok itself came to the English language by the way of the Malay word, amuk.

Stories help us make sense of our world. Seeing ourselves, our cultures, in fiction helps us remember that our cultures, our backgrounds have worth. The way we do things and why we do them may be different, but they’re not inherently wrong, bad, or less valuable. We exist and we are valid.

As English speakers, we’ve learnt to read and identify with default-white characters and cultures because that was what was available to us. It can’t be denied that they opened many new worlds to us through their stories. Now it’s our turn to return the favour.

🙢

ABOUT THE AUTHOR
Anna Tan grew up in Malaysia, the country that is not Singapore. She is interested in Malay/Nusantara and Chinese legends and folklore in exploring the intersection of language, culture, and faith.
Anna has an MA in Creative Writing: The Novel under a Chevening scholarship and is the President of the Malaysian Writers Society. She can be found tweeting as @natzers and forgetting to update annatsp.com.

Where to find Anna online:
Website: https://annatsp.com
Instagram: http://instagram.com/annatsp
Facebook: http://facebook.com/annatansp
Twitter: http://twitter.com/natzers

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Order your copy of Amok today.

For details of Book Launch and Order Links, please visit our :
Surprise Lockdown Launch page

Monday, May 31, 2021

E-Book Launch by Anna Tan

Amok

What is faith, except hope in desperation?

All Putera Mikal wants is to gain the Amok Strength, the supernatural power granted by Kudus to the Mahan royal family. No matter how religiously Mikal keeps his vows, Kudus still denies him the Strength—whilst his father, Sultan Simson, flaunts the Strength despite his blatant defiance of the Temple and the priests’ visions of coming doom.

Then the prophecies come true.

Taken captive, Mikal must find a way to liberate his people and restore his throne in Maha—and the key to this is the Amok Strength. But what does it take to gain Kudus’ favour?



Surprise lockdown launch!

In light of our not-so-surprising Total Lockdown, Teaspoon Publishing has decided to push up the release date of Amok for a surprise lockdown launch!

Yes, Amok ebooks drop on 1 June* so that you can hunker down in your house and entertain yourself with a great read. We'll still honour our launch prices, so our ebook preorder prices of RM12 (USD2.99) will remain until the 23rd of June and will rise to RM20 (USD4.99) on 24 June.

* some retailers might release it on 2 June.

If you’ve preordered a paperback and/or still want to order one, we’re also maintaining the preorder price of RM35 until we actually have the printed books in hand. We'll also sweeten the deal by sending you an ebook copy to keep you occupied until the paperback finally gets printed.

And while we're at it, send a screenshot of your Amok purchase receipt (whether ebook or paperback) to admin@teaspoonpublishing.com.my by 24 June to claim a free copy of The Painted Hall Collection! Also tell us if you’d like it in ebook (e-pub or mobi) or if you’d like a paperback—we’ll ship this to you for free.

Happy reading!

Stay safe, stay home, and get vaccinated.

#LindungiDiriLindungiSemua

🙢
Cover reveal:24 May 2021
Cover Reveal Page:Click here

SURPRISE LOCKDOWN LAUNCH (EBOOK ONLY)
1 June 2021

Published by:Teaspoon Publishing
Cover artist::Jiwosophy.co
No. of pages:345
Reviews on Goodreads:Click here
🙢
🙢

EBook Order links:

Amazon:Order here
Universal link:http://getbook.at/Amok
Google Play:Order here
Other retailers:Order here
Teaspoon Publishing:Order here

Ebook sale price (until 23 June):USD2.99 / RM12.00
Full price (24 June):USD4.99 / RM20

Malaysia Only—Signed Paperbacks:Order here
Paperback preorder price
(until we receive the print books):
RM35
Full price:RM45
🙢

ABOUT THE AUTHOR
Anna Tan grew up in Malaysia, the country that is not Singapore. She is interested in Malay/Nusantara and Chinese legends and folklore in exploring the intersection of language, culture, and faith.
Anna has an MA in Creative Writing: The Novel under a Chevening scholarship and is the President of the Malaysian Writers Society. She can be found tweeting as @natzers and forgetting to update annatsp.com.

Where to find Anna online:
Website: https://annatsp.com
Instagram: http://instagram.com/annatsp
Facebook: http://facebook.com/annatansp
Twitter: http://twitter.com/natzers

Previous:Cover Reveal Next:A message from the Author

Thursday, May 27, 2021

Would that I were

Would that I were free to float and fly
and rise above the hills and mountain peaks
then stop to rest in quiet places high,
with nothing else to seek.

Would that I could change my form at will
sometimes a column sometimes a silky strand
or scaly layers lined up straight and still,
nothing else I'd want.

Would that I were free to roam the skies
beyond the reach of suffering and pain
far from unjust words and wicked lies,
neither shackled nor restrained.

Would that I were a cloud in the sky.

"Would that I were"
by Harolde Huang
Thursday 2021.05.27 23:10 hrs GMT+8

#poetry #poetrybyharolde
#daydreams #heartfelt #sightandsounds

Monday, May 24, 2021

Cover Reveal: Anna Tan's new book

Amok

What is faith, except hope in desperation?

All Putera Mikal wants is to gain the Amok Strength, the supernatural power granted by Kudus to the Mahan royal family. No matter how religiously Mikal keeps his vows, Kudus still denies him the Strength—whilst his father, Sultan Simson, flaunts the Strength despite his blatant defiance of the Temple and the priests’ visions of coming doom.

Then the prophecies come true.

Taken captive, Mikal must find a way to liberate his people and restore his throne in Maha—and the key to this is the Amok Strength. But what does it take to gain Kudus’ favour?



🙢
Cover reveal:24 May 2021
Release date:24 June 2021
Published by:Teaspoon Publishing
No. of pages:345

Reviews on Goodreads:Click here
🙢

Pre-order links:
Amazon: Click here
Universal link: http://getbook.at/Amok
Ebook preorder price: USD2.99 / RM12.00 [Full price: USD4.99 / RM20]

Malaysia Only—Signed Paperbacks: Click here
Paperback preorder price: RM35 [Full price: RM45]

🙢
Process videos and other lovely cover-related items will be updated on the cover artist’s website too. You can check this out at Jiwosophy.co!
🙢

ABOUT THE AUTHOR
Anna Tan grew up in Malaysia, the country that is not Singapore. She is interested in Malay/Nusantara and Chinese legends and folklore in exploring the intersection of language, culture, and faith.
Anna has an MA in Creative Writing: The Novel under a Chevening scholarship and is the President of the Malaysian Writers Society. She can be found tweeting as @natzers and forgetting to update annatsp.com.

Where to find Anna online:
Website: https://annatsp.com
Instagram: http://instagram.com/annatsp
Facebook: http://facebook.com/annatansp
Twitter: http://twitter.com/natzers

Next:Surprise Lockdown Launch

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